On Sunday, July 4, at 11 am, the
Pro-Cathedral in Dublin welcomes the Cornelia Connelly School Advanced Women’s Ensemble and Handbell Ensemble from Anaheim under the direction of Brian Dehn. St Mary's Church (Irish: Leas-Ardeaglais Naomh Muire), known also as St Mary's Pro-Cathedral or simply the Pro-Cathedral, is a pro-cathedral and is the episcopal seat of the Roman Catholic Archbishop of Dublin and Primate of Ireland.
Saint Mary’s was constituted in 1825 from Saint Mary’s Chapel Liffey Street, whose pre-Reformation monastic antecedent was the great Benedictine, and later Cistercian Abbey of Saint Mary’s founded in the twelfth century. The present church is built on a site which was part of the ancient monastic foundation. The church was dedicated on 14th November 1825, the Feast of Saint Laurence O’Toole, Patron Saint of the Archdiocese of Dublin under the patronage of the ‘Conception of the Virgin’.
Music has always been a central ministry in Saint Mary's Pro Cathedral. The Palestrina Choir is the resident choir of Saint Mary's Pro-Cathedral. It had its origins in a boys' choir formed in the 1890s by Dr. Vincent O'Brien, then a music teacher at St. Mary's Place Christian Brothers School in Dublin. It was at a performance of Palestrina's Missa Papae Marcelli at St. Teresa's Carmelite Church in Clarendon Street in 1898 that this choir came to the attention of Edward Martyn their founding sponsor. Martyn wished to promote the music of Palestrina which was espoused by Pope Pius X as a standard to which liturgical music should aspire. The Palestrina Choir was constituted and installed in the Pro-Cathedral on January 1st, 1903 with Dr O'Brian as director. In the century since its foundation, the Choir has had seven Directors. Dr Vincent O'Brien, Director until his death in 1948, was succeeded by his son,
Oliver. In 1978, Fr Seán O hEarcaigh took over the baton from Oliver O'Brien. He was succeeded in 1982, by Ms. Ite O'Donovan and in 1996 by Comdt Joseph Ryan. Ms. Órla Barry was the Director from the end of 1996 to 2001. The current Director is Blánaid Murphy. Over the years the Palestrina Choir has attracted singers of high renown. John Count McCormack was a member of the Choir from 1904 to 1905. Many recent members are now distinguished soloists, most notably Emmanuel Lawler, who began his singing career as a boy soprano in the Choir. In recent years, the Choir has travelled widely, singing at many Cathedrals and venues throughout Ireland, Europe and North America.
On Sunday, July 4 from 1.30 pm on, the Cornelia Connelly performers will take part in the Family Fun & Fitness Day with a 4th July American Theme at the Farmleigh House and Estate in Dublin. Here is some information about the history of Farmleigh:
Farmleigh, an estate of 78 acres situated to the north-west of Dublin's Phoenix Park, was purchased from the Guinness family by the Irish Government in 1999. The house has been carefully refurbished by the Office of Public Works as the premier accommodation for visiting dignitaries and guests of the nation, for high level Government meetings, and for public enjoyment. Originally a small Georgian house built in the late 18th century, Farmleigh was purchased by Edward Cecil Guinness (1847-1927) on his marriage to his cousin, Adelaide Guinness in 1873. A great-grandson of Arthur Guinness, founder of the eponymous brewery, Edward Cecil became the first Earl of Iveagh in 1919. The first major building programme was undertaken in 1881-84 to designs by Irish architect James Franklin Fuller (1832-1925), who extended the House to the west, refurbished the existing house, and added a third storey.
In 1896 the Ballroom wing was added, designed by the Scottish architect William Young (1843-1900). With the addition of a new Conservatory adjoining the Ballroom in 1901, increased planting of broadleaves and exotics in the gardens, Farmleigh had, by the early years of the 20th century, all the requisites for gracious living and stylish entertainment. Its great charm lies in the eclecticism of its interior decoration ranging from the classical style to Jacobean, Louis XV, Louis XVI and Georgian. In 2001 the Office of Public Works began the delicate job of restoring this magnificent estate. This was carried out with great delicacy and care so as the historical ambience at Farmleigh has been preserved as it assumes its new role on behalf of the Irish State.
